• Minor movements are not ours to make so much as ours to attune to
• - A curatorial process for the activation of minor movements requires an attunement to the conditions that select for artfulness
• - An attunement to artfulness opens the work to its more-than
• - The more-than is what is curated
• - An environment is activated, an enlivening of an ecology
• - With the enlivening comes a felt experience of time bending
• - Time bending moves experience to its emergent unfolding
• - In this emergent unfolding we are not spectators
• - Emergent unfoldings affect the environment they co-compose
• - We are part of that co-composition
• - To compose a minor movement is to be composed by it
• - A curatorial process for the activation of minor movements requires an active shift in the presupposition that there is a field of art and a field of life
• - The political runs through the differential that is composed when the binary between art and life is undone
• - What mattters is not whether it is art, but how it shifts the conditions of experience
• - When art becomes the way and not the endpoint minor movements become orientors for processes to come.

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